I wouldn't say its been a while since I did a review, but there is a considerable gap between this and my last. A lot is happening in my life, I'm set to finish my last term in grad school this Sunday, I'm waiting for an update on a part time job and I'm gonna celebrate by binging some movies on Tubi and YouTube, and since I'm facing some writers block on my last assignment, I figured I'd vent about something.
Remember Coconut Fred: Fruit Salad Island? Me neither. It was that year I moved into a new house, at that point I was just watching Cartoon Network and never really had a reason to watch KidsWB. First I ever heard of it was by chance when I was googling KidsWB's program list, long before this show became a whipping boy of some degree.
I'll get into a contributing factor to me making this review later, but for now, back then I saw at least two episodes in full, Bad Apple, and something about a tropical resort. I had some experience with the show, and I still feel like there's little to show for it. But let's get right into it.
What is?
The mid-2000s saw a small rise in shows with overly optimistic main characters in summery or tropical settings, ballpark to around 2004 when the SpongeBob movie was released, or perhaps when the show was at its peak, before it killed everyone's brains. It's not definite, but imagine if other creators assumed the show was gonna end after the movie, and they wanted to create the next big thing to fill the hole set to be left, a lot of faces would go red over the hindsight.
The show is credited to two creators, Don Oriolo and Sammy Oriti, with development credited to Ray DeLaurentis. Oriti has a very thin filmography, to say the least. He is tied to two obscure films, and this is the only cartoon he ever worked on. Oriolo has a more interesting past, having worked on Campfire Stories, a cheap horror anthology which is notable for being where Charlie Day met Rob McElhenney, It's Always Sunny in Philadelphia.
However, Oriolo does have some experience with animation, primairly working on The Twisted Tales of Felix the Cat and other stuff relating to the property. Oriti and Oriolo do have a big connection, where Oriti was given a special thanks on Felix the Cat Saves Christmas. Oriolo was also behind I Am a Gummy Bear, the music video and the movie. So, quite an oddball pair and one has dirtier hands than the other.
They conjured up a concept and pitched it to someone in the business, in this case, Ray DeLaurentis, and what has he done? Well aside from some work on the 80s revival of Alfred Hitchcock Presents and Providence, he created and wrote the Bubsy pilot, was a common writer on the later seasons of Fairly Odd Parents, wrote at least one episode for Bunsen is a Beast, also wrote for Shaggy and Scooby Doo Get a Clue, whatever was wrong with it, oh yeah, and he wrote Bah Humduck!, the worst Christmas Carol adaptation of all time.
On the upside he has also worked on Xaolin Showdown and Ozzy and Drix, among other stuff that may be considered decent. It seems beforehand he had worked at Warner Bros. Animation hence how this landed in KidsWB's crosshairs.
What makes this show interesting is that it features both American and Canadian voice actors. Our lead is played by Rob Paulsen, keep that in mind, and I believe one character was played by Danny Cooksey. For the rest, we have Michael Donovan, who has gone between American and Canadian productions, Brian Drummond, the first voice of Knuckles the Echidna, Tracey Moore, one point Princess Peach as well as The Geek from Sam and Max: Freelance Police, Kelly Sheridan, who played Diana in Martin Mystery, Britt McKillip, who played Hannah in the Scary Godmother movies, and lastly Eric Bauza, who just two years prior played Stimpy in Ren and Stimpy: Adult Party Cartoon, and would later lent his voice to Slab in Cans Without Labels, the final nail in the coffin for John Kricaflusi. He's also in far too much stuff to mention. He was once based in Canada, only appearing on Adult Party Cartoon because one of the studios behind the animation was based in that country, and the rest is somehow history.
What About?
This is a comedy involving an overly optimistic and naive coconut attempting to spice up life on a tropical island full of living fruits, and of course one guy will have none of it. It seems every episode operates in a bubble, nothing occurring being of any consequence in another.
The first episode I saw, I forgot the title of, and... it wasn't anything to write home about. It helped introduce me to most key characters, for however basic they are. Not even something made for kids in mind, but are you telling me three dimensions is too mature for children? I'm just saying.
However, it was when I saw another episode that things went south, and I became better acquainted to Fred's brand of annoyance, either that or I saw how weak the writing of the show could be. Latter first, they incorporated a running gag where a bully calls Fred a mean name, but it turns out there is an existing character with that name and Fred assumes that's who he's referring to. The former, it's how Fred goes about carrying out the jokes, naivety can only get you so far, and the only way its constant use can work is if the character happens to be aware of it and is just using it to get a rise out of people. I'm just saying, regardless of it being a TV show sometimes you go through something so many times you attempt to rationalize it so you can justify the time you wasted.
But cards on the table, that was the last episode I saw in full, I gave up on a third one and years later, someone did a review of the show.
That's really all I can say about the show, it's annoying and there's no nuance to it, the plots are too weak to hold over flat personalities, likely dumbed down for a lack of true thought, owed to pedigrees of mediocre productions, or in two instances, having little connection to the medium at all. However, that isn't to say a cartoon is automatically going to suck if someone involved has no experience, but that really only applies to writers.
For instance, there's an episode of CatDog, Sneezie Dog, whose writer only had credits to live-action productions, and that episode was decent. There's a Hey Arnold! episode, Magic Show, written by a novelist who had no other experience with cartoons. It can be done, but it depends on what you're bringing to the table.
This is basically the opposite of Mike, Lu and Og, as in compared to another show set on an island that is considered mediocre at best, this is worse than that. Mike, Lu and Og at the very least had more experienced animators and artists, or maybe I'm trying to say something nice about it before the influx of negative reviews bury it, and because I did a review of it that's now lost to time.
But to give a proper summary, this show is like a beehive on a tree well out of walking range. It isn't doing anything, and interacting with it is always gonna be consequential.
But that's not why we're here
There's a bigger reason why I decided to make this, and why it's classified as a "Let's Talk About" rather than a review. There has been an ongoing stigma against this show, which to this day I still don't understand. This is apparently a rip-off of SpongeBob SquarePants.
Now, look, I'm probably the last person who would ever consider something a rip-off. Hell, I unironically watch Irate Gamer and consider AVGN to be overrated and overprotected, why else do people suddenly not have the time to watch a documentary detailing a decline in quality? My point is, I've stopped taking the rip-off label seriously long ago, so when something is accused of being one, I'm always going to see it with some level of skepticism.
Which is good, because considering this show a rip-off is a stretch so big that it'd be easier to call MrEnter a rip-off of Spax3. It's enough to vindicate the sheer volume of stupid that hit Johnny Test, and many asses are still stinging from that era, at least people are becoming kinder to earlier seasons of it though.
Now, I didn't take it seriously at first, I just thought this was general idiocy on the Reception Wiki's part, which is where I first heard of it, but no, people are dead set on framing it as a rip-off.
But let's look into the accusations, or the bigger ones. They went out of their way to claim characters are rip-offs of others.
Coconut Fred is considered a rip-off of SpongeBob, the character I mean. Coconut Fred is not a frycook, let alone employed in a consistent job. He does not have any hobbies that consist of catching things with nets. He does not have a pet that is the equivalent of a cat. He does not have proper buck teeth. He does not have blue irises. He is not square nor is he a sponge. Also, you're basically implying SpongeBob is insufferably annoying if you think Fred is a copy of him.
Slip and Slide are considered rip-offs of Patrick on the grounds of both being idiots. They're two characters, they have a clear Southern drawl, and few strokes of genius. Otherwise by their logic, every dumb character is a rip-off of Patrick.
Mr. Greenrind, you would think would be considered a rip-off of Squidward, but no, people call him a Mr. Krabs rip-off. I've seen only one episode with Mr. Greenrind, he's not greedy, he doesn't own a restaurant, and basically you've never seen a grumpy man in your life.
This last one is absolutely hilarious, Bingo Cherry, a sentient cherry who can speak proper English and works as an assistant to the lead grump... is apparently a rip-off of a house pet. When I first heard the claim of this being a rip-off, seeing the reasons, I thought it was just an elaborate joke poking fun at the Johnny Test hate crowd, but no, this is considered serious enough.
Next, the setting, Coconut Fred takes place on an island, above water. SpongeBob takes place in a city, under water. Coconut Fred and other characters are fruits, SpongeBob characters are fish or some variation of existing sea creatures.
I'll give the Johnny Test crowd some credit, it's quite a coincidence that the smartest characters in that show happen to be red-heads with glasses, maybe that's why Slip and Slide were considered rip-offs based on that technicality?
But fine, I'll play your game, I'll go one ahead and say this isn't a rip-off of SpongeBob, this is more like a rip-off of Camp Lazlo, but let me explain.
Lazlo and Fred are insufferably annoying naive optimists, Chip and Skip and Slip and Slide are dumb as dirt twins, Mr. Greenrind and Lumpus are grumpy leaders of their base of operations and are at odds with the insufferably annoying naive optimists, and both have impish sidekicks who often side with the insufferably annoying naive optimists.
It's honestly hilarious how people are quick to suddenly make comparisons where they don't usually fit, but are just as quick to ignore more blatant similarities for other characters. For instance, Bessie Higgenbottom and Penny Leftowitz give off some clear SpongeBob and Patrick vibes, and I saw at least one person immediately deny it. Either people are blind or they want to protect those quirky girls Twitter users like to wax over.
Sorry about that tangent, I wanted to get that off my chest for a long while.
Now, you may be thinking that I'm ignoring an elephant in the room, that MrEnter probably got these claims going. But let me say this, he didn't originate many of the attitudes animation fans had at the time, he just helped them to spread. People have already hated Breadwinners and the new SpongeBob episodes long before Enter gave their thoughts, now yes, I hold him up for not helping quell those claims sooner, but there is one person who is consistently credited to getting the rip-off claims going, and what Enter probably referred to in his review.
Not a reviewer, not someone on the internet, but an industry professional.
Rob Paulsen.
At one point, Rob Paulsen claimed that the show was a rip-off of SpongeBob SquarePants, for some reason. Best case, he is unaware of how little braincells the animation community has, I mean why else does AniMat have a following? But look, if you think about either show, it is easy to see where either contrasts.
You compare this show to one where there're more differences than similarities if you think hard enough (which is apparently a sin in the animation community these days), and again, more obvious examples fly right over your head.
It has gotten to a point where people claim this is a rip-off based on Rob Paulsen's word alone. And with that, I'd just like to place myself on the hill I'm ready to die on. Rob Paulsen's an idiot. Either he didn't look deeper into where the claims come from, or he just wants to look cool for animation fans. Either he's stupid, or does not have any grasp on grander implications. He was the same guy who agreed to have any part in Doug Walker's career... I can't think of anything else.
Or maybe SpongeBob fans aren't very bright. I mean, they can't even detect sarcasm, and they have idiots like MoBros and LambHoot assing it up without remorse. A lot of shit has happened with the SpongeBob fandom over the past few years, and Rob Paulsen gave them more ammunition with the most baseless idea yet.
I'm harping on this because it's dangerous to hold something against the show based on one man's word alone. It's one guy's word, we don't know his philosophy or reason for saying these things, and if it's a joke it would be spread so much that people would forget the meaning it originally had. I mean, for instance, Brian Posehn only dunked on Nickelback because they were overplayed on the radio, and you can fill in the blanks.
Final Thoughts
On any other day, this would just be an incredibly obnoxious show that is rightly ragged on, for better or worse. However, when people decide to base their views of it on what another said, it ruins the prospect, because half the time the grander context is sorely missed. I don't care what Rob Paulsen says, his word is meaningless because it was done for validation rather than seeing what he has done.
This is just a case of favoritism and ignorance. If this was considered a Camp Lazlo rip-off then that would be fine as that and this have too many similarities to ignore. To whoever got those crazy allegations going, I hope their career is as troubled as Cam Clarke's.
